The mighty behemoth has arisen! FLOOR returns with 34 minutes of bone-crushing, down-tuned mayhem! Enormous walls of chaos smash noise mongrels coast to coast, border to border! Deep within the bombstring assault lies a sweet ear for melody, like a secret coupling of MELVINS and JOY DIVISION. The entire second side of the record is inhabited by "Dove", an eighteen minute torrent, replete with rivers of feedback and the signature FLOOR double guitar stagger and punch. Welcome to FLOOR’s legendary, long-lost first album, recorded in 1994, but cryptically, mysteriously never released... until now!

The debut full length from this New York outfit. It features members from Shelter, Resurrection, 108, Fountainhead and Copper. The title is inspired from the last words John Lennon ever heard......"Do You Know Who You Are?" "It made no sense for us to be on any other label but Revelation. We want to be a part of history" says guitarist, Norm Arenas. Norm is joined by Garrett Klahn, Scott Winegard and Chris Daly. This release brings diversity from a hardcore backround. There are 9 tracks of energetic flavor produced by Jawboxs' J. Robbins. Now available again on vinyl.

This triple LP collects songs ranging from out-of-print to never-before-released and spans Iron And Wine's earliest sessions which yielded the band's debut (2002's "The Creek Drank The Cradle") through material recorded for 2007's "The Shepherd's Dog". The double disc is broken into two sections. The first is an assortment of hushed home recordings, unedited and raw, and the second highlights moments captured in the studio with the help of other musicians, friends, and engineers.

Finnish hardcore, also licensed from Fight Records. These tracks were demo and compilation tracks from Tampere SS' heyday in 1983.

More early 80's Finnish hardcore. This 7" was originally released in an edition of 200 back in 1983 and is now a high priced collector's item. Tampere SS played chaotic fast hardcore in the best Finnish tradition. The Finnish scene in the early 80's was very prolific with some good labels (Propaganda, Poko) and was heavily influenced by the English scene of the day, such bands as Discharge, Chaos UK, Disorder and the Varukers.

Where do you go and what do you do when you achieve near legendary status with your debut album? In DRI’s world, you release “Dealing With It”, a record that infused their increasing technicality with a love of metal and the raw, fast as hell Hardcore sound that they patented. Surpassing their debut, was never going to be easy, but with their second album, the Dirty Rotten Imbeciles managed to do just that in maelstrom of vicious, catchy, cerebral Hardcore and Metal.. Reissued on Beer City along with twelve never before heard tracks and interactive video interview footage, DRI’s legacy is once again ready for punk rock and metal consumption. Welcome to Crossover…

Throughout their six-year career, this Japanese quartet has ascended consistently in both popularity and critical acclaim. But still elusive is the successful translation of their powerful and violently beautiful live performances to their recordings, until now. Once again recorded by Steve Albini, the album extends the cinematic drama of 2003's "Walking Cloud And Deep Red Sky, Flag Fluttered And The Sun Shined" while surpassing the sinister heaviness of 2002's lauded "One Step More And You Die". If "Walking Cloud" was a nuclear winter, then "You Are There" is the post-war rebirth. This band isn't heavy like Black Sabbath. They're heavy like Beethoven.

From the band that gave Sunno))) their name and concept comes their third album, re-issued on CD. Vinyl also available.

For 1993's Earth 2, Dylan's guitar was joined by the bass of Dave Harwell. No need look to further than Earth 2 to experience the drone the way it was meant to be heard: huge downtuned guitars playing riffs so slow that each one lasts forever, LOW END that slides and lurches like a blackened glacier of fuzz and hiss, slow motion notes stretched so far that they become a single note washing over you like a sticky wave of tar and molasses, melodies that are indistinguishable because the notes are pulled so far apart they threaten to come apart completely.

Their third album is the sound of a band growing up and out. James Mercer's infectious, indelible melodic style is still at the core, but on various songs he also channels a Morrissey vibe, pairs a hip-hop beat with lush melodic lines and searing guitars, toys with tweaked-out piano steeped in psychedelic strings, utilizes fractured synth samples, adds gauzy, arpeggiated keyboards that cloak thunderous anthems, and even takes cues from early Jesus And Mary Chain sweeping, fuzz-toned epics. The album also contains the lilting, exhilarating, rollicking, rock-solid pop songs we've all come to covet from The Shins.

The last LP before Earth split up, this is an underrated classic. They ditched the drones in favor of amazingly rockin fuzzed out riffs that they repeat endlessly, with little variation. They still got that great tone, and it's coming from a similar place philosophically as the earlier stuff, but more intent on a groove. Even has a Hendrix cover. This album is essential!

These songs are strikingly beautiful, if less elliptical and more straightforward, with more sophisticated arrangements than the last record, 2006's "Everything All The Time". Produced by Phil Ek (The Shins...)

The Creek Drank the Cradle is filled with hushed, restrained vocals, affecting lyrics from a naturalist's perspective, exploring relationships and the hope born from them, all of which come across as though whispered to you personally, accompanied by guitar, banjo, slide guitar… Taken as a whole, The Creek Drank the Cradle, Iron and Wine's debut CD, is an ode to an older South; a part of America that is defined by "traditional values," pastoral imagery and arcane manners.

5 songs recorded in Sam Beam’s bedroom from the same sessions that gave us 2002’s The Creek Drank the Cradle. The Sea and the Rhythm includes “Jesus the Mexican Boy,” which has been a big audience favorite at recent Iron and Wine shows. Sam and his co-conspirators will be recording the new Iron and Wine full-length this summer at Chicago’s Engine Studios with Brian Deck (Modest Mouse, Holopaw, Red Red Meat), scheduled for release in early 2004.

From the ashes of Flake, then Flake Music, The Shins took shape in 1997 - same members, different instruments, different approach, culled nearly a decade of playing together. Counterpoint guitars gave way to a single guitar pitted against calculated keyboard passages, swarming indie rock machinations to pop-base melodic endeavors. The resulting sound germinates in a post-punk aesthetic with nods to a traditional pop ethos.

The Northwestern kings of gritty, nostalgic garage punk. This time around organ adds to the haunting appeal of an already bleak, party-like presence that the Devils have had since day one. And with the drunken anthems of "Rum to Whisky" and "I Drink the Wine," the all-around results of "In Name and Blood" equal a dark-humored rock & roll extravaganza.

All Hands On The Bad One returns to ubilant, playful "the rock" that reveals just how much fun this band has just being together and making music. Produced by John Goodmanson, and engineered by Larry Crane at the low-key Jackpot Studios in Portland.

On their seventh album, the Duluth, Minnesota-based trio Low have sped their songs up considerably so that now, they’re at normal pace. The album was cleverly produced by Dave Fridmann (Mercury Rev, the Flaming Lips, Wheat), and there are many fine songs here, like the upbeat anthem "California," the soundtrack-ish dirge "Pissing" and the gorgeous "Cue The Strings." Low has yet to make a bad album, but this is what you might call a "transitional" album.

Iron and Wine return with one of the most anticipated releases of 2004. "Our Endless Numbered Days" is the second full-length album from Iron and Wine (essentially Sam Beam), and it was recorded both at Sam's Miami home and in Chicago's Engine Studios with Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova.). On it, Sam is aided and abetted by his regular touring and recording conspirators: his sister Sarah Beam, Patrick McKinney, Jeff McGriff, EJ Holowicki, and Jonathan Bradley.

The seventh album from decade-running avant indie rock/mod jazz masters KARATE. Eight tracks that shrewdly lace rock songwriting with unconventionally soulful rhythms, quick tempos, and concise structures. Features a guest appearance by CHRIS BROKAW (CONSONANT, PULLMAN, COME, CODEINE) on the tracks "Cacophony" and "Concrete."

Here you will find: the original Superfuzz… EP in its correct running order, singles, demos, and two blistering live recordings from 1988, all remastered, or in some cases, mastered for the very first time. There are four (4) different versions of “Mudride” here.

SUPERFUZZ BIG MUFF compiles the band's rare early singles in one convenient package. Twelve essential tracks here, and they all rock mightily. If you're old enough you'll want to say that you were there--if you know what you're talking about, folks might believe you. Do yourself a favor and familiarize yourself with the rock & roll revival that was Mudhoney.

Karate's '95 eponymous debut as a three piece is more than a vital footnote. See how the seeds of their majesty germinate on classic tracks Gasoline and Bad Tattoo.

Once every several years, a band emerges that is so powerful and overwhelming, you are left in awe after a single listen. Tokyo, Japan's ENVY is such a band. Ten years, hundreds of shows and three LP's after their inception, Level-Plane is very proud to present their latest effort, A Dead Sinking Story. Picking up where All the Footsteps You Ever Left and the Fear Expecting Ahead left off, A Dead Sinking Story is an epic fusion of anger, sadness and strength; a sonic journey through incredible songwriting and newly incorporated electronic soundscapes which give the listener only an inch or two of breathing room. Both breathtaking and unrelenting, A Dead Sinking Story clocks in at an epic 62 minutes; this is truly hardcore reserved for the hardcore.

Just in time for their 10-year anniversary, Mono return with their fifth studio album. Written and arranged with a hopeful, romantic narrative in mind, the songs string together like chapters in an epic love story. The music is naturally majestic, with Mono's trademark wall of noise crashing beautifully against the largest chamber orchestra the band has ever enlisted. The instrumentation is vast, incorporating strings, flutes, organ, piano, glockenspiel, and tympani into their standard face-melting set up.

This material has been out of print on vinyl for nearly fifteen years. This is the shit, though it is nothing more than just a raw thrash attack. It contains all the tracks from their self-produced flexi and their first album on Manic Ears. Ripcord defined English hardcore between 1984 and 1988. Along with Heresy, the Stupids, Doom and Extreme Noise Terror, they were one of the best bands that England had to offer at that time. Ripcord, though from Weston-Super-Mare would have loved being a D.C. (Teen Idols/G.I.) or Boston band (S.S.D. / D.Y.S.), but they were one of these bands that could easily out-rival their paragons. Their greatest recording event was the John Peel Session (featured on the "More Songs" CD appearing later on the Discography Pt. 3 LP). The entire Ripcord catalog will be re-released on 3 vinyl LPs in cooperation with Epistrophy in 2002. Steve Hazzard and John later joined Spite, John and Jim formed Dumbstruck.

Featuring Punk Feminist anthem "Rebel Girl" and produced by legendary Runaway's Joan Jett, New Radio is three aggressive punk rock songs demonstrating that Bikini Kill were more than a movement of slogans to be consumed in a package. They could write songs that stand up as outstanding after 15 years. Still relevant, still confrontational, this is one of the very best EPs of the 90s.

Henry Rollins graphic account of life on the road recounts his harrowing exploits with one of the most important rock bands in modern history, Black Flag. From his acceptance into the band in 1981 to its demise in 1986, Get in the Van comprehensively documents his six year "tour of duty" with the band. Primarily constructed from his tour journals, Rollins chronicles his years in the band with brutal candor and incisive humor - years strewn with overzealous fans, truculent policemen, poverty and all-night drives. Contains Rollins' 1981-1986 Black Flag tour journals, nearly 200 photographs and illustrations, and his entire 1981-1986 tour itinerary.

"Make An Effort" was originally released on Fountain Of Youth Records in 1982. Re-mastered to perfection by guitarist Tom Lyle himself, this 7" EP has all the power and energy that made Government Issue the punk rock icons they are. For fans of Minor Threat, Void and SS Decontrol.

Four Walls Falling, was a influential political hardcore band from Richmond (Virginia, USA) defined the positive hardcore scene in early 90's and Culture Shock is definitelly a milestone in hardcore music and also one of my main influences in early stages of Day After Records. Vinyl version of this album has been sold out for 10 years now and we hope to present this album to the new generation of the new hardcore/punk kids all over the globe. Its going to be a benefit release for a good cause as well so this LP is going to be worth your money

Red Friend combines intensive quitar driven emo rock songs along with quiet, beautiful ballads, completed with outstanding, matured vocal. Remember Sensefield and Texas Is The Reason? Take the best parts of both bands with a slight touch of older Fireside and you might get close to Only If You Call Me Jonathan. Featuring Jose Gonzalez on guitars!

Fourteen killer tracks of no-frills punk and modern pop featuring the whisky and tobacco strained voice of Frankie Stubbs, along with the band's patented dual guitar attack. Intense, melodic and melancholically hard.

Unavailable for over thirteen years, this Orange County hardcore classic is finally back in press. Guitarist, Joe D. Foster, went on to play in No For An Answer and later form the band Ignite. Pat Longrie and Pat Dubar, drummer and singer respectively, went on to form the influential Uniform Choice. Truly a piece of history.

The highly anticipated new album from one of punk rock's reigning favorites. An explosive twelve-song trick-shot that scores with every listen, produced by TIM O'HEIR (SEBADOH, J MASCIS, FOLK IMPLOSION). The band's previous album managed to sell over fifty-thousand, in spite of their label folding mere months after its release.

The FIX were one of the first Hardcore bands in Midwest-USA and one of the first bands oin TOUCH&GO back in 1981! This album contains all songs from both their super-rare 7"s, the track from the "Process Of Elimination" comp., plus 3 demo-versions and 12 songs recorded live in 1981!

9 of these tracks were recorded in Washington DC at the infamous Inner Ear with Ian MacKaye. Released on a joint BYO/Positive Force EP in 1985. A great hardcore cover of "99 Red Balloons", a pop hit by German singer Nena is a stand out. Some live tracks recorded at Fenders Ballroom in Long Beach were added & the full "Walk Together, Rock Together LP was first released in England.

This was originally recorded in 1984, has gone through cover art changes (this is the 3rd version) due to legalities.... One of Canada's finest punk bands - these songs still hold tried and true today!

Originally released 1987. Steve Albini's little band. Also includes the b-side to "The Model," "He's a Whore." Albini-weirdo-rock.

RADIO 4 takes their cues from the late '70s early '80s post punk scene (AU PAIRS, GANG OF FOUR, MISSION OF BURMA, THE CURE) and combines it with a modern dose of inspiration and style. The music is edgy, melodic and danceable all at once. Their album was produced by Tim O'Heir (SEBADOH, BUFFALO TOM, J. MASCIS). RESTOCK!!!

Gotham! seems ready-made for dance floors and basement parties alike. On new songs like "Struggle," "Save Your City," and "Enthusiasts," the band urges you to snap out of the '90s-boom-years-daze and realize that everything is not all right, all done to the sound of looping bass lines, scratchy guitars and throbbing beats.

"The tommy rat" and "The street kids" demos on one lp!

The heavily anticipated first studio album in seven years, and a brilliant and broody follow-up to last year's ripping split EP with HOT WATER MUSIC. Fourteen killer tracks of no-frills punk and modern pop featuring the whisky and tobacco strained voice of FRANKIE STUBBS, along with the band's patented dual guitar attack. Intense, melodic and melancholically hard

Now available again on vinyl is this 2nd full-length from Milwaukee's DIE KREUZEN, which saw the band get darker and a little more metal-influenced than on their first full-length but retaining their hardcore urgency, further defining the band's signature sound. This LP includes a coupon for a free download of the entire album as well! A 24 song must have. More then a classic piece of vinyl!

The music of Isis is a suitable metaphor for their 12-year career; patient, meticulous, fraught with tension and gradually building towards an apex of seismic proportions. Isis have successfully navigated the process of growing and evolving without disavowing their initial vision. "Wavering Radiant" finds every component of the Isis armoury coming into equal play and becoming an audiophile's dream. Grandiose without being over-indulgent, epic without compromising focus.

Louisiana Punk legends from 1979-1982! Classic American Punk in the vein of PAGANS, early FLESHEATERS or GUN CLUB. Contains the tracks from their only release, a 6Song-7", plus demo-recordings and a radio-broadcast. 11 songs in full. Originally re-issued as a CD on HYPED TO DEATH, now for the first time available on VINYL, including linernotes!

Second studio album by this band from the Baque Country in the vein of Commando 9MM and Brigada Criminal. Influenced by Basque Country bands like RIP, Nuevo Catecismo Católico and English classics like The Clash and Slaughter And The Dogs.

In the wake of Crass, the UK birthed a large scene of anarcho-punk bands such as Subhumans, Rudimentary Peni, Flux Of Pink Indians, and, perhaps the best known of all, Amebix. Their seminal Arise album, originally released by Alternative Tentacles in 1985, remains one of the genre's ultimate statements, featuring elements of Black Sabbath, Motorhead, and Venom infused with a healthy dose of early punk's gutter grime and Crass' confrontational imagery.

After a ten year dormancy, Dag Nasty prove that the chemistry and the soul of their music is still there and precisely the reason why they still play it. Dag Nasty's rich history and pedigree speaks for itself and "Minority of One" will only carry this tradition further. The songs are powerful, the recording is huge, and the lyrics and vocal delivery are as heartfelt as ever.

One of the greatest genre-defining hardcore bands of all time, Agnostic Front, has changed the face of music throughout their 25-year-long career. Originally self released in 1983, United Blood was Agnostic Front's first vinyl release limited to 1000. Finally, this release is coming back to life via Bridge Nine Records.

With "Geneva," Russian Circles find themselves adding elements of strings and horns to a formula of instrumental heavy and textural rock that simultaneously utilizes burly riffs and light atmospherics with just the right amount of chaotic noise. Now available on vinyl with a gatefold cover.

Rage and gloom have come to roost in Doomriders' second proper full length album, "Darkness Come Alive." Recorded and engineered at Godcity Studios by Kurt Ballou, "Darkness Come Alive" shows a more monstrous Doomriders emerging from the depths. Shedding influences to stand with them as contemporaries, Doomriders' "Darkness Come Alive" is a monumental full length achievement. Now available on colored vinyl.

At last, the official, non-limited release of Pelican's "March Into The Sea". This new pressing comes in a standard jacket with art based on the CD version, as well as an included insert. Side A is the original 20 minute blistering version of "March Into The Sea," with a 12 minute "Angel Tears" remix by JK Broadrick (Jesu, Godflesh) on side B.

This discography release contains pretty much everything they recorded including their 1989 demo, 7", compilation tracks, album, unreleased Red C cover with Daryl on vocals and a live recording with Daryl on vocals. The 8" live flexi was left out due to its bad sound quality. All copies come housed in quality gatefold jacket and includes a double sided A2 poster and zine styled booklet with old photos and additional information about each release.

Formed by members of Isis and Neurosis, Red Sparowes bring three songs to this 12" release, once again playing instrumental progressive and heavy indie rock similar to that of Mogwai, Isis and Russian Circles.

Barsuk and Death Cab For Cutie celebrate the 10th anniversary of the band's classic debut studio album. Still considered by many fans to be DCFC's best album, but criminally unheard by many newer converts other than the handful of songs that remain staples of the band's live set (Amputations, Pictures In An Exhibition, Fake Frowns), "Something About Airplanes" is not just a document of a particular time in the band's history or of a bygone era of indie-rock, it's an enduring work featuring some of the band's finest songs.

Opiate Sun will be released in the US and UK on Mark Kozelek’s Caldo Verde Records home of Mark’s own Sun Kil Moon and other transformative musical endeavors. Mark was captured by the strength of Justin’s performance when he saw him live in San Francisco in 2007. Therefore he was only too happy to help out when the opportunity arose to be involved in this important project.

Originally released in September 1995 and taken out of print after first pressing, "Dear You" became a cult favorite of a new crop of supporters who burned or eBay'd the album at collector nerd prices. Many new punk, hardcore, emo, and pop bands cite Jawbreaker (and "Dear You" in particular) as an influence. This special reissue contains extra tracks (the entire session).

Elliott Smith has been a patron saint of the indie scene since his days helming Portland heroes Heatmiser. As a solo artist, Smith led a revolution of home four-trackers, from Beck to Cat Power, out of the bedroom and into the studio, where Smith's fondness for Beatlesque melody led to some of the most beautifully orchestrated pop of the last decade. from a basement on the hill is Smith's final recording and finds Smith returning to an edgier, guitar-driven sound, alongside his trademark heart-rending balladry.

Straight-ahead punk weighted down with the leg irons of heavy rock and creepy-crawly organ. The perfect combination of sleazy rock guitar and gravely vocals. Now available again on vinyl. Vinyl version includes coupon for full album MP3 download.

mply obliterating any conception of THE WIPERS as a mere punk band, GREG SAGE released this follow-up to Is This Real? in 1981-a sophisticated, overwhelming response to the evil times marked by the turn of the decade. Broken into six long songs, Youth Of America is a much colder, harrowing experience than the teen angst of their debut. Vocally Sage comes off as sleep-deprived and forsaken, snarling not only at his own predicament but at the predicament of the entire world.

Although some define hardcore as a specific sound, most believe it's more than that; a set of varying ideas, ethics, principles, attitudes and, yes, music, that converge to form a community. "Burning Fight: The Nineties Hardcore Revolution In Ethics, Politics, Spirit, And Sound" by Brian Peterson provides some answers, but also brings up a whole new set of questions for those who've been drawn to the scene's political, social, ethical and spiritual ideas amidst the screamed vocals and abrasive chords. "Burning Fight" features commentary from approximately 150 people involved in the nineties hardcore scene as well as oral history articles about straight edge, politics, vegetarianism and interviews with a variety of influential bands such as: Avail, Burn, Earth Crisis, Inside Out, Integrity, Los Crudos, Spitboy, Strife, Texas Is The Reason, Unbroken and more. 503 pages.

Official repress, remastered and with 2 unreleased trax!!!!. All the conventions of crust are played out on this release: simple, punky riffs, fast d-beat drumming, and shout/screeching vocals. The songs are short, the songs are simple, the songs are just fast, more distorted punk music when you get down to it.

The Black Heart Procession has defined a truly unique sound that is unmistakable, moving the band into a darker, more adventurous direction than ever before. "Six" is brimming with pitch-black ballads of discarded loves and forgotten souls, painting a bleak, yet strangely comforting, portrait of heartbreak, self-destruction and religious allegory, drawing a clear line from here to soul-stirring visionaries like Leonard Cohen, Johnny Cash and Tom Waits.

The best band from Hoosier territory since the PANICS and the early GIZMOS. The ZERO BOYS have managed to combine elements from the 60's punk-STOOGES axis of their first EP (especially great vocals) and 80's thrash without losing anything in the process. This well-recorded album is varied enough to hold the interest of punk afficionados from all eras, no small achievement. (maximum rock'n'roll)

Compilation with first hardcore punk bands from Washington. Featuring Teen Idles, Untouchables, State Of Alert (SOA), Minor Threat, Goverment Issue, Youth Brigade, Red C, Void, Iron Cross, Artificial Peace and Deadline. Punk as fuck!!!!

GERIATRIC UNIT (former members of HERESY, IRON MONKEY and HARD TO SWALLOW) are back with another 12 blasts of raging hardcore that sounds like it was made back in the late 80's. Permethrin Blues, their fourth 12”, it's short, gnarly and to the point and had to be cut on 45rpm for maximum impact. It's half Boston Hardcore half middle age men shouting at the world. It's the sound of four people with almost the combined age of 120 still having it. It's punk, it's hardcore and it doesn't give a fuck whether you like it or not. This is pure music played by people that do it for love and if you cut them open would bleed hardcore.

Green Day's first album "39/Smooth" is back! Originally released in 1990, this album was the world's first glimpse of Green Day's unique blend of punk rock energy, melodic riffs and self-depreciating charm. Includes the 2 fisrt 7"s as extra!

New Jersey's The Gaslight Anthem play uptempo, upbeat rock and roll punk tunes with plenty of energy to create power-packed live shows, and own a musical style reminiscent of Against Me!, Lucero and Jawbreaker. Now available again on colored vinyl.

Finally a vinyl repress for these legendary recordings! The original 13 song demo for the Age Of Quarrel album, many consider these to be the best versions available - raw and hard as hell. Originally issued on a 10" and now highly collectible, this is an LP repress.

Anarchist punk attack! 6 songs. Second pressing with new artwork. RESTOCK!

The cuttest band in Hardcore is back with a slice of paint peeling hardcore punk loud and ugly enough to destroy your closet. European press of their recent one sided 12" including seven new tracks in the A side and their Want Us Dead 7" on the flip.

Tokyo's VOCO PROTESTA blend the best of the last fifteen years of Japanese distorted hardcore with the early 80’s European punk attitude. Their sound has changed a touch since their three 7"s - It’s more dynamic, perhaps less CONFUSE and more CRUDE SS. However, their ideas are still the same, highly idealistic anarchist lyrics about a better world sang in Esperanto. Their sonic approach is still distorted, primitive and urgent. Fast and angry. 'Vojo el Libereco' is a classic slice of raw hardcore for any fans of GLOOM, FRAMTID, FRIGORA and other masters of the black and white high contrast artwork. Cover by Teodoro Hernandez.

Farewell record from this great legendary Hc Punk band from Barcelona. Includes Innocents (Barcelona) and Código Neurótico covers!

Band formed by members of BUDELLAM, ANTI / DOGMATIKKS, AFGANISTAN YEYES with a female voice.. Here you will find 11 explosive songs that move through the paths of furious californian punk rock 90’s and 80’s hardcore European bands like Life ... but how to life it or Jingo de Lunch. Practical tips for a vibrant life!!

Debut 7" for this spanish Hardcore band from Barcelona with a rockin' touch. Their sound has been influenced by such different bands like Refused, Gallows, The Bronx and The Muder City Devils.

FP is a punk rock band from Vic (Barcelona), and this is already his fourth release in Carnus Records. His music ranges from punk rock folk like Dag Nasty, Rancid or Agaisnt me! TCN is a fun electro rock punk band from Sant Feliu de Codines (Barcelona), that on their second LP mix punk, rock, hardcore and melodies in a crazy blend.

This is a unique album. Special due to its legacy and the circumstances under which it was recorded. Now it is reissued in vinyl. If you didn’t get it at the time or you were too young to know, now you have the chance to request the max from your turntable not giving a damn if volume affects the structure of the building.

Vinyl reissue as rock’n’roll liturgy deserves - of the fifth album of an independent and combative band like no other. "Las Más Macabras de las Vidas” (the Most Macabre Of Lives) is a timeless record and paradoxically sounds fresh again in this genuine and until now missed vinyl. It is a great opportunity to taste again the subtle shades of exasperation that hang around the grooves of the bitterest record of the band.

EBOLA is a Noisecore band from Barcelona, in the vein of Converge or Botch, really overwhelming!. BAZOOKA Band from Catral (Alicante), delivering a wild rock hardcore metal influenced by Black Sabbath.